The Executive Review – Werewolf Of Wall Street

You’re an executive. You fight werewolves. It’s brilliant.

01

Developer: Riverman Media
Publisher: Riverman Media
Format: iOS
Released: July 2, 2015
Copy purchased

The Executive starts with a balding tubby office worker beating up a vending machine with a phone as a sharply dressed CEO watches and sips his coffee. The angry, phone-wielding worker turns into  a werewolf, because of course he does, and the titular executive proceeds to fight it using martial arts. That’s the premise, that’s the story, that’s all you need to know.

Werewolves happened, so punching commences.

Blending a “runner” game foundation with simple fighting mechanics, The Executive is most simply described as a bizarre cross between Canabalt and Infinity Blade. Our smooth corporate overseer automatically dashes from encounter to encounter, while the player swipes the screen in time with prompts – and obeying directional arrow cues – to perform stunts. These running segments are fast and intense, requiring quick fingers and a little bit of foresight to navigate.

Breaking up these stunt-laden dashes are tap-fueled battles against the slavering werewolf horde. At its most basic, combat consists of tapping the top and bottom of the enemy’s character model to perform high and low attacks, while tapping the CEO’s upper and lower body to block. It’s a game of observing and countering patterns, as you defend against the monsters’ swings and punch back at wherever they’re not blocking.

02

Naturally, things get more complex as the adventure progresses and the executive climbs the corporate ladder. Enemies start using power attacks that cannot be blocked, only countered by swiping from the CEO to his opponent. Spells are unlocked, granting players a shield to protect against magical attacks, healing powers, armor piercing strikes and damage reflection. The bestiary swiftly unveils more aggressive, tougher werebeasts with increasingly confusing attack patterns. What starts simple becomes a remarkably challenging game.

It’s a mercy that each individual level is relatively short, as the sheer amount of frantic action crammed into a stage can be exhausting. As your own attacks become more complicated, offering unlockable fire strikes and silver spike thrusts, it becomes more and more tricky to remember what the most effective tactics are against each individual beast. There’s a LOT of beasts to take down, too, each with their own resistances and weaknesses.

From fencing frogs to firefighting cows, werewolves protected by swarms of bats and incorporeal lycan spirits, it’s amazing just how much variety has been squeezed out of such a self-explanatory game. Every monster has its own twist and fighting style, the stunts become more intricate, and the player’s own abilities continue to expand. Riverman Media has gone all-out to provide a deep and fascinating little run-fighter.

Money is earned at the end of each fight, with one’s performance impacting exactly how good the payout is. Taking less damage, varying attacks, and refusing to rely on magical powers all contribute to a superior ranking. You’ll want those rankings, too, as using the cash to boost the CEO’s damage output, defenses, and magical prowess is essential once levels progress and the competition becomes stiffer.

03

As well as simply purchasing upgrades, players can also invest in their company, hiring employees and facilities for the Silverstrike Mining Company. Each investment raises the amount of money you can earn in-game for performing certain tasks – The Miner, for example, awards bonus dollars every time you block an attack, while the Geologist raises the payout for completing a level quickly.

What’s more, each investment also raises the amount of money you earn passively, meaning you can start raking up the bucks without even playing the game. Similar to Cookie Clicker, but without the mindless clicking, you’ll get to watch your funds accrue at increasingly rapid paces as you continue to put funds back into the company. It’s ridiculously gratifying to watch your bankroll increase, and the only requirement to keep that spice flowing is to log in at least once every three days. The money will pile up until then, and it’s tempting to let the acquisition of financial power become a game in and of itself.

It’s a good thing, too, because the CEO’s personal upgrades get expensive very quickly. It requires a wise balancing of corporate investment and personal expenditure to earn enough cash while keeping the CEO strong enough to defeat his werewolf aggressors, though you may sell your purchases back at a convenient 1:1 price ratio.

With all this money talk, it would be an oversight not to mention The Executive‘s most attractive feature – there are no microtransactions to be seen. For a low one-time cost, the entire game is available. No bullshit premium currencies, no insidious paywalls. It’s sad that such a thing should even be worthy of praise, but that’s the world we live in now. The Executive is ripe to be exploited with freemium mechanics, but temptation has been resisted and the result is a game that feels so much more rewarding.

It’s hard not to utterly adore this game. It’s very silly and equally hard to put down, nailing that “one more go” factor while providing enough depth to ensure it’s more than just a novelty game.

04

There are some annoyances that creep in, mostly due to the fact that the interface can become a little confused. Once you unlock magic attacks that require swiping from certain body parts to given targets, it’s easy to perform moves you didn’t mean to, as the swiping isn’t always precise. Certain enemy combinations can make the later levels really annoying too, especially when the CEO is being assaulted from either side and one is expected to focus on both monsters at once.

Any grievances are minor, however. The Executive is a mobile game done right. It uses the limitations and opportunities of touchscreen controls almost perfectly, it’s easy to get into but increasingly challenging, and its genius in-game economy keeps one coming back for more. It also sports a fantastic catchy soundtrack, a beautiful art style, and some incredible monster designs. What should be a one-note joke game is, instead, a riotous adventure in kicking ass and sliding down walls, as werewolves in riot gear, giant man-rhinos, and three-headed serpentine supermodels conspire to destroy a mining company.

Because videogames, people.

Because videogames.

9.5/10
Superb

Joao
Guest
Joao

I love this game..So cool!!!.. and its true “there are no microtransactions to be seen. For a low one-time cost, the entire game is available. No bullshit premium currencies, no insidious paywalls.” – YOP something rare nowadays.

Nick
Guest
Nick

I got this one for free. I would never have bought it otherwise, and after playing it I still stand by that, but I will attest that it is a bunch of fun. It’s like those mobile NetherRealm games that coincide with their console and PC releases (and sometimes with the release of Batman games), only with a much more complex fighting system, much more enjoyable gameplay (it includes what I consider rythm-game-esque quick time events and the ability to build your own firm), no microtransactions, it is hilariously absurd, and just full of goods.

Raven
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Raven

Is this iOS exclusive?

TaPlaysanexus
Guest

Really glad to see a lack of microtransactions, it really is almost noble nowadays, will definitely purchase this one if/when it decides to join the Android master-race.

Drake Warnocl
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Drake Warnocl

Sounds awesome. If this ever releases on Android I wil buy it immediately.

F_w
Guest

I rather be a werewolf beating up corporate assasins, then the other way around. 🙂

Christopher C.
Guest

I didn’t think I’d love this game as much as I do. Jim is totally right. It’s ridiculously silly but addictive, and it’s nice to come back to it after a few hours and see that you’ve earned some money to buy upgrades. I’m still not earning quite enough to really afford anything without pounding through some levels, but going through the levels is quick and fun. Really happy Jim recommended this one!

Michael T
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Michael T

9.5 out of 10?? The Witcher 3 eat your heart out!

Clark Kent
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Clark Kent

You can probably get more enjoyment out of the Witcher 3 overall, but the standards aren’t the same for a AAA RPG and for a small mobile app that costs 3$.

Michael T
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Michael T

But it has a higher score that means the review author finds it better, when its being valued in the same scoring system as “Triple A titles” and has a higher score that means its better overall mathematically. no?

Clark Kent
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Clark Kent
“Better overall mathematically” has no meaning when you are talking about opinion regarding a product. As Jim says in his review score guide : “9 (Superb): A 9 represents excellence in almost every area, or at least a consistently delightful experience from beginning to end. There may be problems with the game, but they’re of a negligible variety, and often include such criticisms as, “I wish there were more of the thing that was brilliant.” While not a genre leader, it’s truly a beautiful game in several significant ways.” He found little to no failings with this game, thus this… Read more »
Michael T
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Michael T

So numbers have no meaning when a reviewer is using them to assign value at the end of a review? why have them at all then?

thejokeriswild
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thejokeriswild

…Clark just told you the meaning of the score, are you dense or something?

Big Nerd
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Big Nerd

I bet you also thing a 5/10 is the lowest score a game can get.

RadicalDude
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RadicalDude
Think of it this way, a 10 means that the game is perfect within the confines of what it sets out to do. Each score is limited to the game that is being reviewed, so while this game gets a 9.5 as a run-fighter, if it was supposed to be an open world rpg like the Witcher it would obviously get a much lower score, even though its the same game. At most, scores are comparable within a genre. Going by Jim’s history as a reviewer, his scores aren’t necessarily comparable solely within a genre, taking pricetag and platform into… Read more »
Michael T
Guest
Michael T

So you say you can’t compare reviewer scores of games which are of different scope what is the point to numerical scores then? Does a good cooky clicker deserve a 10/10 because it achieves what its set out to do? bravo to that logic.

Clark Kent
Guest
Clark Kent
The scores are there to tell you if you are likely to enjoy the game or not. Now the score itself is not enough, you also need to read the review to see what the game is attempting to do. The score simply sums up if it does is well. And to answer your question, yes, an absolutely perfect idle game that absolutely grips you and makes you wish to play it more deserves a 10/10 even if the gameplay is minimalistic as long as it is a pleasant experience. Yes, all games aren’t judged on the same scale, that… Read more »
Michael T
Guest
Michael T
This is a reply to Clark Kent, WordPress reply button pulls a disappearing act for some reason. So review scores are supposed to be reliant on the goals of the game developer? I thought it was all about how enjoyable/thought provoking/inspiring the reviewer has found the gaming experience to be. So you define 10/10 as a “pleasant experience” and something amazing is like 15/10? numbers mean things you see, a 5/10 score in a sociology exam is axiomatically worse score than an 8/10 score in math its not important what knowledge base was used to score them. It clearly demonstrates… Read more »
Ffordesoon
Guest
@Michael T: Think of a score as a measure of how successful the critic believes the work under review is at what it’s trying to do. It’s not an exact science at all, because opinions aren’t an exact science. Sometimes a game can be so very much a critic’s “thing” that it overcomes numerous faults which might sink another game. Other times, the fact that a given game doesn’t resonate with a given critic results in a lower score than the game necessarily deserves from a purely technical standpoint. One of the last reviews Jim wrote for Destructoid was his… Read more »
Arkayn
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Arkayn

It is called context mate.
Maybe Jim should chime in on this one.
A 9.5 for a $3 iOs game is not to be taken as a direct comparison to anything but just a numeric indication to convey how positive the tone and feeling the article is for the authors feelings towards the game.

BAH!
Guest
BAH!

At first, I thought you were just joking. But now I’m not so sure.

Nick
Guest
Nick

Witcher 3 deserved a 9.5 or a 10, I thought it was strange he scored it lower than Bloodborne and MGSV, despite the quality of those games.

Lintire
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Lintire
I’d say that a mobile game not trying to cram in microtransactions is worthy of praise. We live in a world where consumers are overwhelmed by media – where interesting games come out faster than the average person can complete them (especially if they’re enough of an enthusiast to keep a backlog), and now on top of that they’ve become increasingly demanding of your time and money. Microtransactions, unfinished games, broken games, Season Passes, boatloads of DLC, all things that require more attention, more time, all for usually mediocre games anyway. I’d say this even includes “Games as a Service”,… Read more »
Awakeisland
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Awakeisland

Great review Jim! Looks interesting! Do you think the controls would be okay on an iphone or do you need an ipad?

matt drew
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matt drew

had this thought myself, hopefilly it comes to android so i can play this on my tablet

Jehuty
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Jehuty

You had me at “no microtransactions”.

Whoracle
Guest

Non-native speaker here. I’ve always thought my grasp on english was halfway decent, but is “the interface is confused” really correct? I mean, how can the interface be confused? Directionless, ok. Confusing, well, of course. But “confused”?

El Minotoro
Guest
El Minotoro

This kind of wording is fine on its own, but Jim is talking about the actual game being unable to interpret different kinds of swipes after unlocking more hotspots to swipe from.

Whoracle
Guest

Ah, ok. Thanks fo clearing that up.

The Gustavler
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The Gustavler

I love logicless video games all it needs now is a flying eggplant.

NinjaOTS
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NinjaOTS

Don’t forget the flying eggplant.

craigtheintern
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craigtheintern

I think it should be self evident that the sequel should be The Executive: Fistshark, where you control one of three Execs punching Were-sharks.

Chris Buchanan
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Chris Buchanan

With the ultimate goal of defeating Val Kilmer of course.

Octopus Grift
Guest
Octopus Grift

And Gordon Ramsey could come in as an ally.

Dragonzeanse
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Dragonzeanse

And Digital Homicide being the first boss, which respawns Unity assets to defend itself.

TheMagicLemur
Guest

I want this game more than I have wanted anything in my life.

Sperium
Guest
Sperium

And then you can get a power up to take those Unity assets and do something competent with them.

Timothy
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Timothy

And sometimes Dean Cain just pops up and takes up the entire screen and you have to buy microtransactions to get rid of him. And you can buy pornog for Corey Feldman. Side objectives may be drowning Selena Gomez or kicking Craig in the shins. I already love it.

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